Monthly Archives: April 2008

The First Rap Single: Fatback’s “King Tim III”

Fatback Band – King Tim III (Personality Jock) (Spring, 1979)

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Contrary to popular belief, Sugarhill Gang’s “Rapper’s Delight” – unleashed upon an unsuspecting world on September 24, 1979 - was not the first commercially successful hip-hop single. “King Tim III (Personality Jock),” a B-side released by a funk band called Fatback (originally The Fatback Band) on August 29, 1979, holds that distinction. An instant hit among both Manhattan radio djs and Bronx party rockers, “King Tim III” is also notable for being the first hip-hop single to chart, appearing on the R&B chart a mere seven days before “Rapper’s Delight” exploded on to the Top 40 chart.

According to Funk (an excellent guide book by Dave Thompson) Fatback, a well known 1970s funk outfit who ultimately amassed 31 R&B chart hits, were intrigued with hip-hop’s potential after “[encountering] the B-Boy party scene in the Bronx.” Encouraged by the burgeoning scene’s success (Thompson notes that “Eazy AD of the Cold Crush Brothers claims sales of 500,000 plus tapes long before any rap records were ever released”), Fatback hired radio dj Tim Washington, aka King Tim III, to rap at their live shows. Audiences reacted positively to the addition and Fatback soon decided to “combine one of King Tim’s raps over a track called “Catch the Beat,” retitle it “King Tim III” and … place it on the B-side of their next single.”

The song was immediately popular, arriving at perhaps the perfect moment in hip-hop’s evolution. Still in its infancy, the genre needed a vehicle with which to transcend its underground roots; a song or album capable of distilling the music’s raw, youthful enthusiasm into a polished sound palatable to mainstream audiences. “King Tim III,” and later “Rapper’s Delight,” did just such a thing. Indeed, one ought to consider these seminal records in the same way musical historians regard ”Rock Around the Clock” or “Smells Like Teen Spirit” – as watershed moments that forever changed the sound of popular music.

Download @: A Monsiuerwilly World

Hip hop activism in Africa – Dakar, Senegal

4080Records is no stranger to the idea that hip hop is extremely influential all over the world.  Back in February the Guardian (one of those major UK papers) ran a story about Didier Awadi, a fairly militant Senegalese rapper.

Awadi is no stranger to activism, and perhaps that’s why he’s gotten so much respect.  His latest album, Sunugaal, tries its best to represent Senegalese culture and deal with several heavy political issues.  Here’s part of what the Guardian has to say about some of the political leanings of Awadi’s album:

On Sunugaal, several tracks feature samples of speeches by iconic African political leaders, including Senegal’s Léopold Sédar Senghor and Ivory Coast’s Félix Houphouet-Boigny. These form a kind of prelude to his forthcoming project, Présidents D’Afrique. The album, due for completion later this year, celebrates the work of legendary anti-colonial leaders who fought for the right of African states to self-government between the 1950s and 80s. Archive audio recordings of such figures as Ghana’s Kwame Nkrumah, Burkina Faso’s Thomas Sankara and Congo’s Patrice Lumumba are sampled by Awadi, who responds to their ideas with his own lyrics in French and Wolof.

“What I’m trying to do is use hip-hop as an entertaining way to get Africans to reappropriate their history,” he explains. “Which is why I take a speech by Kwame Nkrumah and mix it over a beat where I’m rapping, so it becomes a kind of inter-generational dialogue.”

Lately, Awadi’s gotten even more political active.  He’s been a major force of opposition to the EU-Africa Economic Partnership Agreements.  He’s even come out with what is ostensibly a protest song, titled “On Signe Pas” (translated, it means we won’t sign).  He’s not alone being against it, as tens of thousands protested the adoption of a document they felt threatened their local industries.  The EPA is pretty serious business for these nations, because it requires the removal of a huge amount of tariffs and quotas from African trade, which could have a devastating effect on the local economies.  Freetrade advocates would say this is a good thing, but it seems pretty unanimous among the development community that there is extreme concern that this may undermine African nation’s attempts at development.  It could raise prices across the board without any significant gain.  The Swazi Observer reports that despite this protest the Trade Ministers of many African nations have been making serious strides towards full adoption of the agreement.

Check out the video below.

Jurassic 5 is no more!

This is another example of us poor beleaguered 4080ites (pronounced fourty-eightyites) being a little bit behind the curve.

In what really should have been bigger news, more than a year ago, reports came out that Jurassic 5 had decided to break up.

To be entirely honest, I hadn’t really heard all that much. I even thought that Feedback was a pretty sick album, even if it did feature some pretty unexpected artists. So I really didn’t see their breakup coming, especially because their sale figures looked pretty decent. Hell, I even managed to see them on tour promoting that album before they broke up.

What’s even more disturbing to me is Soup’s quote about why they broke up.

“Some people may say it’s a creative thing, but I’m not buying it. Some might say business, some might say merchandising, whatever, there’s some really stupid sh*t, some really childish things, happening,” continued Soup. “[But] when it comes down to it, some people here want their own shine, their own thing. If that’s what you want, I say more power to you. I hope it works out for you–just don’t come up with lame excuses [for J5's demise].”

-Source

I mean, I understand that creative differences can pop up at any time, and really, no one can expect a group of people to get along perfectly forever. I guess deep down I always hoped J5 would stay above the drama. But hey, they’re human.

In the meantime, keep your eyes peeled for Chali 2na’s solo album, a Fish Out of Water. The release dates keep getting pushed back. For now, you can grab his Mixtape, called The Fish Market.

Here is a single from the album titled “Don’t Stop”.

Chali 2na – Don’t Stop.

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MySpace Monday: Substantial

To lead off in our series of MySpace Monday posts, 4080Records.com is proud to present Substantial.

This MC has been touring all over North America while opening for the Cunninlynguists. That in and of itself should make you want to give him a chance. Anyone that can tour with a crew that dope has to have something special.

The Baltimore native has released a few albums to date and just dropped his latest, Sacrifice, about a year ago. Check our a review from HipHopDX.com here.

Here’s what they have to say:

Substantial’s emceeing and lyricism is on full display as he coasts through “That Damn Good” and “Chain Reaction” in a seemingly effortless fashion. “My Favorite Things” takes a twist on the old show tune and turns it into one of the more clever dedications to Hip Hop. “4dozdatdonkno” is the album’s only glaring misstep, as it contains less charisma than any of the other tracks on Sacrifice, and doesn’t really seem to belong. This small departure is quickly forgotten, however, as things pick right back up with It’s You (I Think)/Go Wait (Interlude), and don’t stop until the album closes out.

To that end, here’s a track off that album, a little hip hop remix of My Favourite Things:

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Scratch – The Documentary

Scratch is a documentary (made back in 2001) that purports to explore the birth, growth, and peak of turntablism and deejaying in general.

This video features some of the greatest DJs known to humankind, including Afrika Bambaataa, DJ Premier, DJ Shadow, Mix Master Mike, DJ Q-bert, and many more.  Thanks to the magic that is Google Video, you can check it out in its entirety below.

Show Review: Cunninlynguists @ Barcode 19.04.08

Cunninlynguists, often falsley identified by ignorant heads as the only dope group from the Dirty South, performed in Victoria Saturday night before a packed house at Barcode nightclub. Despite the unfortunate absence of rapper Natti (who was denied entry at the Canadian border because of a past criminal conviction), the group soldiered on, announcing from the outset their intention to put on a good show.  

Taking the stage after an impressive set by opening act Substantial (check this dude out for sure), Cunninlynguists’ Deacon the Villain and Kno whipped the crowd into a frenzy with a few tracks from their new album, Dirty Acres. The duo, backed by DJ FlipFlop on the ones and twos, then segued nicely into some of their older classics, including “Lynguistics” and a dope rendition of “HalfAnimal, Halfman” that was cut painfully short after Deacon’s verse.  

The crowd – many of whom had obviously been following Cunninlynguists since their first album Will Rap For Food - lapped it up, jumping and pumping their fists during the up-tempo joints, waving lighters and cell phones during the slower moments and generally showing Cunninlynguists mad amounts of love. FlipFlop did an admirable job throughout and displayed impressive skills on the wheels of steel during the show’s obligatory dj solo.

However, the show’s best moment occured just before the encore, when Kno addressed the crowd about what it means to be a southern rapper. “The next time someone says ‘I hate that southern shit,’” Kno declared, “burn them a cd of Cunninlynguists, and put some UGK, Outkast and Geto Boys on there.” Damn straight.

Top 10 Samples In Hip-Hop History

The title explains it all: some dude in Florida plays what are perhaps the ten most recognizable samples in hip-hop. However, it’s almost worth watching just for the host, who is obviously a huge fan of the music.

(Edit: see below for Part 2)

 

Akon’s pants may or may not be on fire

The Smoking Gun, the crime-reporting internet site that has done oh so much damage to so many people, has just run a story based on an investigation they conducted into Akon’s alleged criminal past.

It’s an interesting technique, to manufacture a criminal past. It’s not unheard of to have artists like this try to glam up their past to give themselves a little more credibility. We’ve seen tons of rap artists in the past do the same thing. Just going to jail somehow guaranteed you a gold record.

But little Akon over here may have been fibbing about his criminal past. He has, several times, openly discussed how intense jail was for him, and how he was arrested for being the ringleader of a “notorious car theft operation” and how hip hop saved his life.

Apparently, like many convicts, Akon couldn’t find a regular job after getting out of prison. He used his music as a way to make some money and so far it’s actually worked. He may be terrible, but somehow he sold a lot of records.

While the performer’s rap sheet does include a half-dozen arrests, Akon has only been convicted of one felony, for gun possession. That 1998 New Jersey case ended with a guilty plea, for which the singer was sentenced to three years probation. Another 1998 bust, this one in suburban Atlanta, has been seized upon by Akon and transformed into the big case that purportedly sent him to prison (thanks to his snitching cohorts) for three fight-filled years. In reality, Akon was arrested for possession of a single stolen BMW and held in the DeKalb County jail for several months before prosecutors dropped all charges against him.

So there was no conviction. There was no prison term between 1999 and 2002. And he was never “facing 75 years,” as the singer claimed in one videotaped interview.

While the performer’s rap sheet does include a half-dozen arrests, Akon has only been convicted of one felony, for gun possession. That 1998 New Jersey case ended with a guilty plea, for which the singer was sentenced to three years probation. Another 1998 bust, this one in suburban Atlanta, has been seized upon by Akon and transformed into the big case that purportedly sent him to prison (thanks to his snitching cohorts) for three fight-filled years. In reality, Akon was arrested for possession of a single stolen BMW and held in the DeKalb County jail for several months before prosecutors dropped all charges against him.

So there was no conviction. There was no prison term between 1999 and 2002. And he was never “facing 75 years,” as the singer claimed in one videotaped interview.

Akon’s invented tales appear to be part of a cynical marketing plan, but one that has met with remarkable success. Few press interviews conclude without Akon being asked about his criminal exploits and his prison days. He obliges with canned and well-rehearsed claims, false as they may be, and compares his supposed nationwide operation to those depicted in the movies “Gone in 60 Seconds” and “New Jersey Drive.” And in interview after interview over the years, he always makes sure to point out the “notorious” nature of his theft ring (as if the adjective’s inclusion makes him sound even more felonious). Akon repeats the phrase “notorious car theft operation” so frequently it seems like he is reading it from a sheet of talking points.

I think one of the most interesting parts of this report is the fact that the music reporters really failed to check up on Akon’s claims. They let him get away with letting him up his claims from being a ringleader of a car theft ring, to owning chop shops, to literally carjacking people. The Smoking Gun website has a video showing various Akon interviews where he makes these claims on tape.

Arctic Hip Hop

Here, we see the Winnipeg Sun reporting on a pretty amazing story. The Canadian Floor Masters are bringing pride to hip hop in general.  The founder, a bboy named Stephen Leafloor has decided to take his art to the Arctic. I’m impressed with his desire to encourage youth from the North to participate, and to acknowledge the power that hip hop has over youth of any culture!

In the video below, we see the CTV News report on this project, and apparently a whole documentary about it is being broadcast on Canadian TV soon.  So if you’re in Canada, I’d say do a quick google and ifnd out.

This is located in the tiny little town of Cambridge Bay, Nunavut. Apparently, 100 teenagers got together to learn from Leafloor and two other members of his crew.  They worked for 9 hours a day for two weeks, teaching the youth there about hip hop in general.  One of the coolest parts is that they actually created a “baby brother crew” up there, to try and keep the project going.

The globe and mail article on the same documentary suggests some closet strengths. Apparently, once the hip hop team was welcomed into the community they started asking some tough questions about substance abuse and other items of interest. It’s an interesting way to try to get to know a community that is often more foreign to Canadians than those separated by oceans.  I’m happy that it seems as if the youth really took to the concept of hip hop, and if it gives a few kids something to do that keeps them away from some of the troubles we see in a lot of areas, it’s well worth it.

Clinton, Edwards AND Obama all on Colbert Report

I kid you not. All three of these Democrat politicians made their appearance on the Colbert Report on April 17.

It’s no secret that Colbert has been actively courting to try and get Obama to appear on the program, even asking his wife Michelle on air if she would help.  He finally got his wish (kind of).  Following the Democrat debate in Philadelphia (arguably one of the worst run debates in television history), the candidates were already in town so Colbert took advantage.

The first appearance was by Hillary Clinton.  The scene was that Colbert’s background screen was on the fritz, and all of the technicians were missing.  So he stood up and asked:

“Are you telling me there is no one in this theater who can fix the mess we’re in?” Colbert cried out.

“I can,” Clinton said as she strolled onstage

An interesting and pretty amusing little scenario, with Clinton seeming pretty comfortable.  It wasn’t as self-deprecating as I was hoping, but at least she managed to poke a little fun at herself.  She told Colbert he could call her anytime, even at 3 am.

Next up is John Edwards.  He delivered exactly what I was hoping for.  A pretty comic spin at his own fallacies and the democratic race as a whole.  He made light of the fact that both campaigns were actively seeking his endorsement, and jokingly said that he’d need at least 2 jetskis for his vote, among other things.  The only video I could find of the the show was of Edwards’ guest appearance delivering The Word (or as he called it, the EdWords). Check it out below.

Lastly, Barack Obama made his appearance via video conference from another rally he was at.  He was in pretty good spirits overall, and managed to make a solid point about the manufactured political distractions that he had spoken of at the previous nights debate.  He even went so far to, Colbert style, put these distractions on notice.

Below is the transcript:

Obama: “Stephen, these distractions they won’t help us fix our economy, they won’t help get people health care. They won’t get us out of Iraq. Stephen, I would go so far as to say I want to put these political distractions on notice.”

Colbert: “What!?”

Obama: “Boys, bring out the on notice board.”

Colbert. “Senator, I have to warn you, I probably don’t have a card for distractions.”

Colbert sifted through a card-box, saying, “Let me I see, I’ve got Dionne Warwick, Deion Sanders, Dion comma Celine, Dirigibiles, There we go! Distractions!

“Okay senator, uh, something’s gonna have to come off, what should I remove?”

Obama: “Well it can’t be grizzly bears, they are the number one threat to America.”

Colbert: “Good man.”

Obama: “I think we should take off James Brady, he’s a good guy.”

Colbert: “All right, Brady. This is your lucky day.  Okay here we go.  Distractions, I hope you’re paying attention….Wham! How’s that taste?”

Obama: “Manufactured, manufactured political distractions, you are officially on notice.”

Those of you in the US may be able to check out clips from the show on the Colbert Report page.