Monthly Archives: February 2010

Update On Blogger’s Removal of Music Blogs

Yesterday, we posted that Blogger had rather surreptitiously shut down several popular music blogs.  Today, Pitchfork is reporting that Blogger has issued a statement in its defence.  In the statement, the Google-owned service explains its policy for enforcing the Digital Millennium Copyright Act (the controversial American copyright law), noting that when it receives multiple DMCA complaints about the same blog, and has “no indication that the offending content is being used in an authorized manner,” they will remove the blog (italics mine).

In other words, the burden of proof is on the blogger.  The statement goes on to say that

“Inevitably, we occasionally receive DMCA complaints even though the blogger does have the legal right to link to the music in question. Whether this is the result of miscommunication by staff at the record label, or confusion over which MP3s are “official,” it happens. If this happens to you, it is imperative that you file a DMCA counter-claim so we know you have the right to the music in question. Otherwise, if we receive multiple DMCA complaints for your blog, this could very well constitute repeat offenses, compelling us to take action.”

Fortunately, the DMCA complaint form seems fairly stringent and requires a lot of specific information, ostensibly preventing anyone from shutting down a blog they don’t like by sending off an accusatory email or two to Blogger.  And what’s more, Blogger’s policy (according to the statement) is to notify blog owners of any complaints made against them and to reset the offending post to ‘draft’ status, allowing them to remove the infringing content.

But that doesn’t explain why so many blogs were shut down so quickly and, apparently, without warning. 

Several commentators are pointing to this incident as further proof of the ineffectiveness of the existing online copyright regime.  As Techdirt points out,

… there are two real issues here. First, is the ridiculous “left hand doesn’t know what the right hand is doing” aspect of record label lawyers sending out DMCA takedowns for content that its marketing department sent to the blogs on purpose. But second, and much more important, is the ridiculousness of the DMCA‘s notice-and-takedown provisions in its safe harbors. It’s a “guilty until you’re innocent” type of measure. It effectively forces Google into a position where it needs to take down the content, until a blogger goes through the confusing process of filing a counternotice.

The response to this whole kerfuffle has been widespread and, often, intense.  We’ll keep you abreast of any updates.  Hopefully it gains enough steam to positively affect how intellectual property rights are regulated on the internet, leading eventually to a fairer and more transparent framework.

BK-One’s new album

113

What? You’ve never heard of BK-One and yet you call yourself a beat fiend? Okay, maybe you don’t call yourself that, and I don’t actually blame you for not knowing about him.

BK-One is probably most famously known as the dj of Brother Ali.  And he just dropped his own album featuring a whole slew of guest artists.  Brother Ali, Murs, Slug (from Atmosphere, if you don’t know) and a veritable who’s who of the indie hip hop scene.

The album, titled Radio Do Canibal and is supposed to be heavily influenced by Brazilian music and culture.  You can’t tell that much from the leak track below, but it’s dope enough to be worth a listen.

You can stream a whole bunch more tracks off his MySpace page, so if you’re looking for more take a peek.  And for those of you who are heading out to pirate this, BK-One has a polite message for you:

If you downloaded it, I’m glad you’ve gotten a chance to hear my music…but you’re really missing out.  The packaging is pretty innovative and is made from 100% recycled material.  Inside, you’ll find English translations to all the Portuguese interludes (they help to explain the connections between Brazil’s music history and American music from the past and present).

Gizmodo loves Vinyl

For some reason or another, in the last couple of weeks, Gizmodo has had a lot of posts dealing with vinyl and the gadgets that work with it.  I thought I’d do one big post with all of this stuff to help condense it all, and hopefully you find it a little interesting.

Make your own Vinyl

gramokit

If you’re looking for the chance to make some low-fi records at home, then this may be the product for you.  It’s cheap, too.  Only $170 + vinyl.  Giz says that “To record your own records, sing into the horn and the bamboo needle cuts the grooves into a new piece of vinyl.”  Not exactly rocket science, but something that’s not really in the reach of most bedroom emcees.

The product, by a company called Gakken, seems somewhat legit.  Obviously I haven’t tried it yet but it may be worth exploring if you’ve got some money burning a hole in your pocket.

REALLY portable record player

500x_linosao

This, while just a concept, is extremely badass.  Once you’ve used the Gakken press to make a couple of albums, say you want to bring them along to your buddy’s house to show them off.  Only your buddy doesn’t have a turntable.  Have no fear!  Pyott Design has your back.  The player, as you can see above, is not huge and folds up quite nicely.  Plugs into your USB for power and for audio playback.

Just the type of thing, strapped to a netbook, that you could probably use to test some albums while you’re out digging.

Turntable for those who don’t really want turntables

500x_459_01

This is a nifty idea for those who want to keep the romance of vinyl but whose records have slowly gotten unplayable, or for those who simply want to create the illusion of being a vinyl lover.  Now, it’s not something I endorse by any means.  If you’re a digital music person, there’s no shame in admitting that and in setting up your system to reflect that.

Gizmodo explains it:

Inside the fake player he placed an RFID reader, which gets the information from the RFID-tagged record. Once it detects it—and the user moves the tonearm into position—the record player starts reproducing a playlists.

It’s quite the idea, and would probably be fun for a minute or two.  Regardless, I just think it’s an interesting way to blend old and new technology in an unexpected way.

Blogger Takes On Popular Music Blogs

Earlier today, Pitchfork reported that Blogger, the venerable Google-owned blogging service, has shut down several music blogs, including Pop Tarts Suck Toasted, I Rock Cleveland, Living Ears and It’s a Rap (none of which I have admittedly ever visited).  Apparently, the free music offered on the blogs violated Blogger’s terms of services.  As of about 11 a.m. PST, attempts to visit the blogs returned one-line ’Blog not found’ error messages.

The website The Daily Swarm has compiled several responses to the move, as well as a copy of an email sent from Blogger to I Rock Cleveland and the blogger’s reply.

Obviously, this story is still unfolding.  Whether or not it represents the opening salvos in a new crackdown on illegal music sharing remains to be seen, but hopefully it’s an aberration that won’t have any wider implications.

Record Tripping and Gorillaz Groove

Not much to this post beyond some pretty fun and easy Flash games by the Bell Brothers.

Record Tripping

RecordTripping It’s a strange mashup of deejaying, Alice in Wonderland, and puzzles.  But it’s a good way to spend 5 or 10 minutes of your day.  It’s hard to explain what actually goes on, beyond the fact that your mouse (a scroll wheel is required to play) allows you to scratch what sounds like an audio recording of Through the Looking Glass or something

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Can I Kick it? (Cover)


Props to The Find Magazine for this one.

Dumbfoundead? I sure am.

Dope track and a dope idea.  We’ve promoted this same type of thing before, but try and give credit where it’s due.  This is a dope international e-collaboration with “8 people with 5 instruments from 4 Continents speaking 3 languages for 1 song.”   The emcee below, Dumbfoudead, is decent.

Check it out below, or head over to YouTube to check the lyrics as well.

 

I jacked some of the credits from the YouTube sidebar just to help hype these artists.  Check ‘em out.

Emcee: Dumbfoundead
http://www.youtube.com/dumbfoundead
http://www.twitter.com/dumbfoundead
Singer: Esna Yoon
http://www.youtube.com/esnathesinger
Emcee: Herbal T (Portugese/Spanish/English)
http://www.youtube.com/waxandherbalt
http://www.twitter.com/herbaltisgreat
MPC (Drum Machine): CAV3
http://www.myspace.com/CAV3MUSIC
http://www.twitter.com/CAV3
"GHOST PHUNK" at http://CAV3.bandcamp.com
Guitar: Tio
http://www.myspace.com/tioproductions
http://twitter.com/tiomusic
Scratches: DJ Zo
http://twitter.com/zomanno
http://www.myspace.com/zomanno
Piano: Lukas (YoungPianoTV)
http://www.youtube.com/YoungPianoTV
twitter.com/ThisIzLukas
Bass: Chris Hong
http://www.myspace.com/hangukhellking

Hip hop and Haiti

Peacekeeping - MINUSTAH

I know this is a bit of a dated post, being that the earthquake happened some time ago, but I thought I would take the opportunity to highlight some of the work being done, hype up some fundraising opportunities, and talk about the tight connection between hip hop and Haiti.

I’m sure most of you have heard about Yele Haiti, the charity started by Wyclef Jean.  He is probably one of the most prominent hip hop artists with direct Haiti ties, but certainly not the least.  And yes, there has been a fair amount of controversy with the organization, with some accusing it of misusing raised funds.  Wyclef has strenuously denied these, and I believe him.  Even if procedures were not followed to the letter, I do not believe there was any attempt at fraud or anything like that.  And it’s hard to deny that Yele has been doing some good for people on the ground, so I’m more than willing to overlook minor transgressions (providing they were accidental and that they are not repeated).

Looking at other Haitian hip hop artists, you can remember former-Fugee Pras as well.  Above that, you’ve got Trugoy from De La Soul, and, sadly, Tony Yayo.

Perhaps it’s because some fairly prominent rappers are Haitian, or perhaps it’s because of a professed affinity for a struggling black community, the hip hop community in North America has responded tremendously to the need for aid.

A bunch of hip hop artists supported Clooney’s telethon, which was heartwarming, entertaining, and informative.  Though it’s funny to me that Kanye was specifically not invited to be a part of George Clooney’s Hope for Haiti telethon.  The argument was that he had repeatedly proven that that he was more interested in promoting himself and seemed to disregard the greater good.  Now, I’m not going to say that I support this, but I’m not exactly going to advocate against this.  Still, hate him or not, he does get attention, and bringing attention to Haiti is something I do support.

Better still, hip hop was clearly a major influence on the remake of We Are the World. Kanye got his moment by appearing here, as did Wyclef, Snoop Dogg, Drake, LL Cool J, will.i.am and others.  What tripped me out the most is that Lil Wayne is doing Bob Dylan’s part from the original We are the World.

[Update: Video is below]

Some key things to remember.

  • Feb 12 is the last day for the Canadian government to match donations.  So hit up any of these listed charities for donations.  Try CanadaforHaiti or the Canadian Red Cross.  If you’re a texter: The Canadian Red Cross Society: Text REDCROSS to 30333 ($5); The Salvation Army in Canada: Text HAITI to 45678 ($5);UNICEF CANADA: Text GIVE to 45678 ($5).
  • In the US, the donations are conveniently consolidated by Google here.  Or text “HAITI” to 90999 to donate $10 to Red Cross relief efforts; text “YELE” to 501501 to Donate $5 to Yele Haiti’s Earthquake Relief efforts.

[Image from the UNDP’s Flickr photostream]